New & Noteworthy J-pop of the Week (February 23, 2025)

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New and Noteworthy J-pop

In reference to my want to totally sustain with the J-pop trade, I’m planning on doing a weekly round-up of any new releases which have caught my ear. A few of these might have been lined on the weblog already, however my hope is that this can change into a one-stop store for anybody serious about what’s new in J-pop.

With that in thoughts, right here’s the place you are available in: I’m one particular person with one set of musical preferences, so please embed every other new J-pop tracks you’ve loved within the feedback so we are able to get a fuller spectrum every week.

*And similar to I do with my opinions, I’ll wait till full variations of songs can be found earlier than posting them on this round-up. This may largely apply to Johnny’s teams, who nonetheless restrict the vast majority of their YouTube uploads to shorter, edited variations.


2023-2024 Index

2025 Index: Dec 29 – Jan 11 // Jan 12 – Jan 18 // Jan 19 – Jan 25 // Jan 26 – Feb 1 // Feb 2 – Feb 8 // Feb 9 – Feb 15



Ayumu Imazu – Thrifted

A “vibe,” as they are saying. It’s a bit too laidback for me.


BACK-ON – Graduations

Kamen Rider tracks are all the time a whole lot of enjoyable.


Benny – WOAH

After a really cool intro this shortly turns into the sort of tune I hate. The refrain is dreadful.


BXB – I Want

This feels prefer it might have been TWS’s “hey! hey!” however finally ends up being extra “meh meh.”

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edhiii boi – I Don’t Wanna Develop Up

I just like the punky power of this.


Exile Takahiro – Evolution

This sounds very traditional Exile, which is a comforting factor.


imase – Pals!!!

I truthfully don’t get the fuss round this music.


LiSA – ReawakeR (ft. Felix of Stray Youngsters)

I wrote about this right here. I believed it was alright.


MAZZEL – J.O.Ok.E.R.

Higher than most of their latest work, however nonetheless fairly boring.


M!LK – E Jan

A bizarre hybrid of sparkly idol pop and boring membership drop. The 2 don’t mesh in any respect.


Naniwa Danshi – Don’t Fear!!

I swear they simply hold releasing the identical tune time and again.


ONE OK ROCK – Tropical Remedy

They positively launched the brand new album’s greatest three songs as pre-releases first, however this new single can also be fairly stable.


OWV – Supernova

I might hear this explicit boy group sound just about wherever.


Queen Bee – Purple

Queen Bee often churn out an emotional mid-tempo like this (my favourite is unquestionably 2017’s Outroduction). Sadly, the melodies right here simply aren’t hitting me. Possibly the tune will develop with time.


Ryokuoushoku Shakai – Participant 1 (tune of the week!)

The most effective Ryokuoushoku Shakai tune in fairly awhile. I really like the power and guitar riff. The refrain may very well be a bit stronger, although.


Sakanaction – Kaiju

A catchy toe-tapper.


Sakurazaka46 – Nightmare Shoukougun

I recognize them altering up their sound a bit, however this doesn’t actually work for me. It’s simply too plodding.


SKE48 – Tick Tack Zack

There’s a fullness lacking within the instrumental and association. A tune like this wants to utterly explode and this one by no means does.

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Tremendous Beaver – Namida no Syotai

A stable rock monitor.


Vaundy – Run Sakamoto Run

I wrote about this a number of weeks in the past however now it has an mv.


WATWING – Recollections

Funky and enjoyable however not notably distinctive.



Eiji Hino (Shu Watanabe) & Ankh (Ryosuke Miura) – Time Judged All (2014)

Exhibit B in “Kamen Rider music is mostly superior.”

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