Heavy Tune of the Week is a function on Heavy ipromiseyoumedia breaking down the highest steel, punk, and laborious rock tracks you should hear each Friday. This week, No. 1 goes to Fleshwater’s “Jetpack.”
Fleshwater’s 2022 debut album garnered widespread reward, establishing the band’s sonic identification whereas separating the challenge from guitarist/vocalist Anthony DiDio’s different profitable band, Vein.fm. Versus the latter’s intricate metalcore, Fleshwater have a distinctly ’90s heavy alt/indie sound, laced with mathy post-hardcore riffs — albeit much less mathy than Vein — and melodic thrives through the trade-off singing of DiDio and Marisa Shirar.
Parts of their newest single “Jetpack” — the primary from the forthcoming sophomore effort 2000: In Search of the Countless Sky — recall bands like Chavez or On the Drive-In, however Fleshwater skew towards a heavier model of riffage, breaking into extra metallic territories in the course of the refrain and breakdowns. The twin vocals are in full impact right here as properly, driving residence the late-’90s/early-2000s vibes. That Fleshwater have shared payments with Deftones and The Mars Volta is really befitting, as the previous and the latter — or a minimum of the aforementioned pre-Volta ATDI stuff — are nice factors of reference for what the Massachusetts band is shelling out.
Honorable Mentions:
Dying Want – “I’ll Know You’re Not Round”
We are likely to comb by quite a lot of metalcore whereas developing the Heavy Tune of the Week rundowns, so it’s all the time a pleasure to listen to variation in a style that’s develop into aggressive when it comes to publicity and thus, generally rote in its supply. Dying Want are usually not subscribing to any such mould, as evinced by “I’ll Know You’re Not Round.” There’s a melancholy right here that’s real — a Cocteau Twins or Slowdive-type of melancholy — which is a credit score to vocalist Emma Boster and her ethereal crooning in the course of the intro and refrain. Contrastingly, she adopts deep gutturals for the verses, because the Oregon band flexes the complete breadth of its sound throughout the almost four-minute monitor.
Oxymorrons – “Blk Sheep”
NYC hip-hop/punk/steel act Oxymorrons simply introduced a brand new EP titled Create. Destroy. Rebuild. Repeat., sharing the only “Blk Sheep.” Described within the band’s press launch as a “full-throttle protest towards the performative methods we dwell beneath,” the monitor is a compact riffer that’s amongst Oxymorrons’ extra metallic tunes thus far, harkening again to the political groove-metal of Sepultura’s Roots album. The refrain takes a surprisingly pop-rock angle, providing some respiratory room across the in any other case relentless verses.
Avenue Sects – “The Glass Shithouse”
Brutal primitive industrial from Austin duo Avenue Sects, “The Glass Shithouse” monitor is so smashed with distortion, it’s laborious to discern among the extra danceable and melodic parts churning away within the decidedly crushed-out combine. Followers of basic ’80s industrial stalwarts like Foetus or Einstürzende Neubauten can be satiated. Additionally, it’s good to see one of many style’s fashionable forerunners, HEALTH, proliferating the standard artwork of their contemporaries, as Avenue Sects’ new album and a separate aspect album beneath the Avenue Intercourse moniker are each popping out through HEALTH’s new imprint COMPULSION RECORDS.
