International rockstar and acclaimed singer-songwriter WOODZ (Cho Seungyoun) has made a comeback with a bang. His extremely anticipated 2-track digital single, “I’ll By no means Love Once more,” is out now by way of EDAM Leisure and Kakao Leisure, out there worldwide on all main streaming platforms.
“I’ll By no means Love Once more” and “Smashing Concrete” mark the genre-bending soloist’s first post-military launch. It gained crucial reward for its emotional depth and explosive power.
WOODZ Make A Assertion Comeback Submit-Navy Service
![[WOODZ] I'll Never Love Again - Cover Art](https://www.kpoppost.com/wp-content/uploads/2025/09/WOODZ-INLA-Cover-Art.jpg)
Recognized for his fearless strategy to style and uncooked emotional honesty, WOODZ delivers what critics are already calling his boldest and most unflinching comeback but.
This new undertaking follows the viral resurgence of his 2021 monitor “Drowning,” which rocketed again to the highest of main Korean music charts earlier this yr whereas WOODZ was nonetheless enlisted. Its sudden revival reaffirmed his lasting resonance with listeners. Now, freshly discharged from army service, WOODZ is channeling that momentum into “I’ll By no means Love Once more” — a file that captures each the devastation of heartbreak and the defiance of pushing ahead.
Tracklist
- I’ll By no means Love Once more (focus monitor)
- Smashing Concrete
Observe Highlight: I’ll By no means Love Once more
The title monitor, “I’ll By no means Love Once more,” blends folk-inspired textures with sweeping various rock. The track begins with a mournful organ line earlier than exploding into crashing drums and hovering guitars, mirroring the torment of misplaced love.
His vocals — described by Forbes as “bridging emotional conviction with sonic ambition” — intertwine with a haunting choir. It creates a cinematic soundscape the place sorrow collides with magnificence. The poignant chorus, “If that is how love at all times ends, I’ll by no means love once more,” lingers lengthy after the track fades.
The accompanying music video options “mature visuals and storytelling.” The MV captures that very same duality: solemnity entwined with resilience, echoing the universality of heartbreak and the restoration that follows.
Observe Highlight: Smashing Concrete
Already launched to followers in late July by way of a putting visualizer, “Smashing Concrete” takes a completely completely different path. Shifting gears into fiery various steel, the monitor combines WOODZ’s rap and vocals with razor-sharp guitar riffs and thunderous percussion.
Critics have been fast to weigh in.
The Bias Checklist referred to as it “tougher than absolutely anything in his discography,” highlighting its ’90s rock power. Whereas the reviewer famous that the track’s hooks take a backseat to pure energy, the general impact was deemed “a cathartic anthem of liberation and perseverance.”
In the meantime, KStationTV emphasised how the interaction of lighting and digicam work within the visualizer elevated WOODZ’s evolving rock aesthetic.
The message at its core is easy but resounding: break down the partitions in entrance of you, irrespective of how inconceivable they appear.
Important Reward & Business Recognition

![[WOODZ] I'll Never Love Again - Concept Photos](https://www.kpoppost.com/wp-content/uploads/2025/09/WOODZ-INLA-Concept-03.jpg)
![[WOODZ] I'll Never Love Again - Concept Photos](https://www.kpoppost.com/wp-content/uploads/2025/09/SUB_-WOODZ-INLA-Sub-Image.jpg)
Collectively, “I’ll By no means Love Once more” and “Smashing Concrete” are being hailed as WOODZ’s most formidable pairing thus far. Forbes famous how his service expertise has deepened his artistry, writing that the one “hits the fitting notes, balancing emotional vulnerability with fierce sonic exploration.”
Korean and worldwide shops have highlighted the duality of the discharge: one monitor is an elegiac exploration of heartbreak, whereas the opposite is a full-force anthem of resilience. This juxtaposition showcases WOODZ not simply as a performer, however as an all-rounder visionary unafraid to problem himself — and his viewers.
With “I’ll By no means Love Once more,” WOODZ reasserts himself as considered one of Korea’s most modern soloists. Critics and followers agree: this launch isn’t only a comeback; it’s a triumph. It’s a declaration of intent. WOODZ’s strongest period is barely simply starting.
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