Roy Thomas Baker, “Bohemian Rhapsody” Producer, Useless at 78

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Roy Thomas Baker, “Bohemian Rhapsody” Producer, Dead at 78

Roy Thomas Baker, the revered British file producer who helmed Queen’s first 4 albums and later labored alongside acts together with The Automobiles, Devo, and Low cost Trick, amongst others, has died on the age of 78.

Born in Hampstead, London, Baker bought his begin as a second engineer for Gus Dudgeon and Tony Visconti, engaged on recordings by David Bowie, The Rolling Stones, Ginger Baker’s Air Power, The Who, and extra. He ultimately set out on his personal, growing and producing a then-unknown band named Queen.

Baker produced Queen’s first 4 studio albums—Queen (1973), Queen II (1974), Sheer Coronary heart Assault (1974), and A Evening on the Opera (1975)—which yielded early hits reminiscent of “Killer Queen” and “Bohemian Rhapsody.” He additionally helmed their seventh album, 1978’s Jazz, which featured the one “Don’t Cease Me Now.” Queen’s Roger Taylor mentioned of Baker, “I feel he introduced a certain quantity of self-discipline and a whole lot of cynicism and a ardour for fattening desserts. He preferred his meals, Roy. He was very disciplined and really strict to start with . . . he would all the time get it proper. The take needed to be proper.”

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Baker’s success with Queen let to a multi-album manufacturing cope with CBS Music and gigs producing for Journey, Ian Hunter, and Ronnie Wooden.  Most notably, he started a collaboration with The Automobiles that lasted 4 albums, from their 1978 self-titled debut by 1981’s Shake It Up, and spawned hits like “Simply What I Wanted, “Good Occasions Roll,” and “Shake It Up.”

Within the early Eighties, Baker was named Senior VP of A&R for Elektra Data. Throughout this era, he labored with the likes of Devo, Low cost Trick, Ozzy Osbourne, and Weapons N’ Roses, and in addition oversaw the signings of Metallica, Merely Purple, and 10,000 Maniacs.

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Later in his profession, Baker produced albums together with The Darkness’ One Method Ticket to Hell… and Again and The Smashing Pumpkins’ Zeitgeist.

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