It’s been a couple of yr since I final wrote about woman group VVUP, although I understand I combined them up with the newly debuted VVS in my thoughts, assuming they had been one and the identical. That’s what your insistent acronyms do to us, Okay-pop! That’s additionally what forgettable music does, as I can’t bear in mind a single previous VVUP monitor regardless of lined every intimately. So, I suppose we will take into account Giddy Boy a recent begin of kinds.
The overwhelming majority of Giddy Boy merely reheats present woman group tropes which have been run into the bottom, but it surely has just a few shiny factors. Verse two is underlined by an upbeat electro groove that ought to have develop into the monitor’s fundamental calling card. Then, in the course of the pre-choruses we’re greeted by a ceremonial synth loop that jogs my memory of two Limitless’s tacky 90’s dance anthems. Facet notice: wouldn’t or not it’s superior if a Okay-pop group lined 2 Limitless??
Sadly, these participating parts drown in a sea of repetitive “Come giddy, giddy, giddy, giddy, giddy boy.” (At one level, the group additionally proclaims “I’m the queen of this metropolis, name me Litty,” which can develop into my new calling card). This refrain isn’t really as annoying because it sounds on paper, however nonetheless spoils a lot of the goodwill different segments of Giddy Boy construct. I want the tune would simply choose one sonic aspect and excel at it. As a substitute, it’s in fixed flux — and fairly than add curiosity this merely makes it really feel as if the rug is frequently being pulled underfoot.
| Hooks | 7 |
| Manufacturing | 8 |
| Longevity | 8 |
| Bias | 8 |
| RATING | 7.75 |
Grade: C+
