Heavy Track of the Week is a function on Heavy ipromiseyoumedia breaking down the highest metallic, punk, and exhausting rock tracks you must hear each Friday. This week, No. 1 goes to Chevelle’s first new observe in 4 years, “Rabbit Gap (Cowards, Pt. 1).”
Chevelle are a curious band that, not not like Deftones, are likely to transcend their normal categorization as “different metallic.”
As an illustration, their new tune and first in 4 years, “Rabbit Gap (Cowards, Pt. 1),” might simply enchantment to followers of Radiohead or Muse, in addition to your common trendy metallic radio listener. A darkish, four-minute sluggish burn, the atmospheric observe expands to a crushing metallic breakdown as singer-guitarist Pete Loeffler’s unwavering falsetto soars in full flight, his lyrics reflecting on post-internet paranoia and the tradition of “doomscrolling.”
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It stays to be seen if the only is foreshadowing a brand new album, although it appears seemingly, as Chevelle additionally introduced tour dates this week.
Honorable Mentions:
Alien Weaponry that includes Randy Blythe – “Taniwha”
Alien Weaponry go tech-death on the ultimate pre-release single from their new album, Te Rā. The band wears this model nicely, and the melodic refrain that includes lyrics within the Māori language is a pleasant contact, contrasting with a few of the most brutal riffs and breakdowns the New Zealanders have ever laid down. Maybe the presence of visitor vocalist Randy Blythe provoked their extra excessive facet. The Lamb of God singer offers some vocal grit to the combo, in addition to an ominous spoken-word passage.
Useless Poet Society – “HURT (feat. The Warning)”
This seamless collab between Useless Poet Society and Mexican sisters-trio The Warning was apparently sparked by the latter’s Pau Villarreal rocking out to Useless Poet Society on TikTok. Pau and sister Dany present extra vocals on “HURT,” and their verse hits exhausting, with melodic shout-singing that cuts by way of the combo. Musically, the observe falls in Useless Poet Society’s wheelhouse of heavy different rock, bolstered by large refrain drops.
Evanescence – “Afterlife”
Evanescence‘s new tune “Afterlife” is a defacto anime theme tune of types, because it was written in collaboration with Netflix’s adaptation of the Satan Might Cry online game collection and got here with an accompanying video that includes scenes/dialog from the collection, ala early-internet AMVs (anime music movies). The tune is traditional Evanescence, with brooding gothic verse sections that construct into explosive alt-metal choruses with full-throated singing from Amy Lee. It’s maybe finest skilled with the Satan Might Cry video, because the cinematic sweep of the band’s music works rather well within the context of anime.
