Heavy Music of the Week is a characteristic on Heavy ipromiseyoumedia breaking down the highest steel, punk, and arduous rock tracks you should hear each Friday. This week, we spotlight Mayhem’s newest single “Despair.”
Because the chilly months descend, the icy blasts of Norwegian black steel really feel apropos. And there’s no higher supply for such disharmony than the pioneers of the style, Mayhem, who’re again this week with the second single from their forthcoming album Liturgy of Dying.
The six-minute “Despair” picks up with blast beats (Hellhammer is dialed in right here) and the atmospheric wash of speedy riffing, Attila Csihar’s voice barely peaking by means of the smothered sonic combine. Once more, as he did on earlier single “Weep for Nothing,” Attila jumps between gnarled growls and extra discernible, operatic bellows, as if a demon and god-like entity are in risky dialog amidst the good calamitous noise. Mayhem steer the music by means of some slower, doomy riff sections for variation — transient rests earlier than the pummeling re-commences and pandemonium reigns as soon as extra.
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Honorable Mentions:
Alter Bridge – “Enjoying Aces”
“Enjoying Aces” hits the candy spot between alt-metal and traditional rock that’s patently Alter Bridge, as guitarist Mark Tremonti leads the forceful and driving association whereas Myles Kennedy exhausts the fullness of his expansive vocal vary. With so many tasks, one may moderately count on Tremonti to expire of concepts in some unspecified time in the future, however Kennedy’s hovering vocals present a pleasant foil, letting Tremonti dig in and stretch out a bit extra with Alter Bridge.
Weapons N’ Roses – “Nothin’”
Weapons N’ Roses launched two singles this week, a ballad and a rocker. For our rundown, we’re going with the ballad, “Nothin,’” with its bouncy piano hook, deceptively catchy melody traces from Axl Rose, and a beefy guitar solo from Slash within the center. It’s believed that these songs are from the batch of Chinese language Democracy leftovers which were the supply for the band’s latest singles, and that album had just a few equally commendable David Bowie-esque ballads, a mode that fits latter-era Rose.
NUKEM – “Torture, Homicide, Mutilate”
San Diego’s NUKEM not too long ago toured with Dying to All — the tribute act that includes former members of Dying — and cited the pioneering Chuck Schuldiner-founded act as an inspiration for “Torture, Homicide, Mutilate.” The title sounds prefer it may have been lifted from Screaming Bloody Gore, and the music isn’t too far off both, with its punked-up, thrashy tackle old-school dying steel.
