Heavy Music of the Week: Gaerea Obtain Melodic Publish-Metallic Grandeur on “Submerged”

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Heavy Song of the Week: Gaerea Achieve Melodic Post-Metal Grandeur on “Submerged”

Heavy Music of the Week is a characteristic on Heavy ipromiseyoumedia breaking down the highest metallic, punk, and laborious rock tracks it’s essential hear each Friday. This week, No. 1 goes to Gaerea’s new single “Submerged.”


Portugal’s Gaerea simply inked a take care of Century Media Information, shifting from one stalwart metallic imprint (Season of Mist) to a different. That’s simply semantics for listeners, however the announcement did usher in new music within the type of “Submerged,” plus a brand new album arriving in 2026.

At 5 minutes in size, the one-off single is a comparatively bite-sized encapsulation of Gaerea’s sound, which melds components of conventional atmospheric black metallic, demise metallic, and melodic post-metal — all of which might be heard right here. It’s merely a coincidence that each teams begin with a ‘G’ and share similar-sounding six-letter band names, however Gojira comparisons are inevitable, in that each teams obtain an analogous degree of grandeur from the mixture of harshness and melody.

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Honorable Mentions:

Useless Warmth – “Perpetual Punishment”

Useless Warmth take us proper again to 1986 with the intro to “Perpetual Punishment,” with the calming chimes of the acoustic guitar begetting a crushed-out blast of lo-fi thrash riffs. Useless Warmth are decidedly old-school — that is Bay Space thrash worship to the max — however the memorable melodic riffing is undeniably spectacular, and high quality riffing all the time distinguishes the cream of the crop in terms of thrash, an overpopulated sub-genre. Let’s simply say, there’s a cause Useless Warmth are signed to Metallic Blade, the identical label that launched Slayer’s earliest works.

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Fleshwater – “Final Escape”

After nabbing our HSOTW honor a few weeks in the past, Fleshwater land on our countdown once more, this time with the follow-up single “Final Escape.” The ’90s-core is pervasive: a breakbeat intro, thick guitars, a music video shot in an empty shopping center. It’s not simply tone and trend, although. Guitarist Anthony DiDio and drummer Matt Wooden introduced over simply sufficient math from their different band Vein.fm to maintain the rhythm diverse, leading to some satiating musical dynamics throughout the bridge and instrumental sections of the music. Elsewhere, singer Marisa Shirar floats over the combo. The band claims to have recorded the vocals at residence, whereas the music was studio-tracked. An unconventional transfer, however Shirar sounds nice with that pure room reverb.

Hail the Solar – “Warfare Crimes”
Hail the Solar simply introduced their new album, reduce. flip. fade. again., arriving October twenty fourth. The maths-rock vets additionally dropped the lead single “Warfare Crimes,” a music that’s virtually confrontational in its building. At first, it feels like any individual by accident layered a melodic metalcore music over a totally random D-beat drum observe. And then you definitely maintain listening, and it unusually begins to match up. Then Hail the Solar throw one other rhythmic curveball — or the music drops out fully. In brief, count on the sudden. Fortunately, it’s not tremendous linear, because the band circles again to sure elements of the association, so that you’re that rather more conversant in the subtleties after every cross.

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