Born in Japan and raised in New York, DJ SARASA is a genre-blending artist whose bicultural roots form each set—skillfully weaving soul, funk, R&B, hip-hop, and digital into her sound.
SARASA’s affect extends far past the DJ sales space: she’s additionally an entrepreneur, founding Casa De Sarasa and the Tacos Affiliation of Japan.
Her expertise hasn’t gone unnoticed—Questlove as soon as tweeted, “DJ SARASA is the illest DJ…,” a shoutout that affirmed her place amongst legends like George Clinton, Grandmaster Flash, Talib Kweli, The Beatnuts, and Illa J.
When requested to introduce herself to somebody new, SARASA calls herself “a global good friend, an expert partier, and a cultural visionary with a excessive success charge of constructing it a actuality… a creator of experiences and a non-verbal translator of individuals’s frequency throughout borders, genres, and cultures.”
In our dialog with SARASA, she opens up about what fuels her artistic fireplace—from how she approaches every DJ set with intention and intuition, to how she balances her ardour for music along with her work as a cultural connector, entrepreneur, and storyteller by means of meals.
What first drew you to DJing? Was there a second while you realized it was one thing you needed to pursue severely?
I first received into DJing by means of school radio—I liked sharing music, particularly the uncommon gems I’d dig up at document shops. However it wasn’t till I began working full-time in a company setting that I spotted how a lot I wanted artistic freedom.
Every part needed to go by means of layers of approval, and even once I didn’t imagine within the course, I nonetheless needed to conform and carry it out and that by no means sat proper with me.
That frustration lit a hearth in me. I knew I wanted to take management of my very own path and create outcomes I really believed in.
DJing grew to become the right outlet—it allowed me to share my discoveries, inform tales by means of sound, and join with individuals in actual time. It felt pure, and extra importantly, it felt like mine.
You’ve constructed a worldwide presence whereas staying linked to Japan. How has your background and experiences influenced your sound and storytelling?
I used to be fortunate to develop up in New York once I was younger, and that early publicity to totally different cultures undoubtedly formed me.
However once I began DJing in Japan, I needed to actually ask myself, ‘What units me aside? What do I deliver to the desk that’s totally different?’ That’s once I realized my background wasn’t a limitation—it was a power.
I could possibly be the bridge between Japan and the remainder of the world. Over time, that’s precisely what occurred. I typically opened for worldwide acts touring Japan, and naturally, we’d turn out to be buddies. I’d share my tradition with them, displaying them sides of Japan they may not expertise on their very own.
On the similar time, I helped native individuals join with these artists past simply the efficiency. Music grew to become a manner for me to be useful to individuals from either side to grasp one another on an actual, human degree.
Are you able to describe your artistic course of when making ready for a DJ set? How a lot of it’s intuition versus intention?
After I put together for a set, I begin by imagining the vitality of the room—the way it may really feel when individuals first arrive, the way it builds, when it wants a breather, and when it’s able to explode.
I create a crate of potential songs for the night time, loosely organized by vitality degree, so I can rise with the gang and provides them area to return down earlier than lifting them up once more.
It’s undoubtedly a mixture of intuition and intention. I are available with a roadmap, however I keep totally tuned into the second.
One factor individuals typically touch upon is the way in which I circulation by means of genres—it feels seamless, despite the fact that I is perhaps leaping from soul to hip-hop to deal with to one thing surprising. That’s at all times been my fashion: storytelling by means of distinction, motion, and shock.
Do you strategy units otherwise relying on the place you are performing or who the viewers is?
Completely. I strategy units otherwise relying on the venue and the gang.
When it’s a high-profile gig and all eyes are on me, I like to attenuate the time I spend scrolling by means of my laptop. There’s one thing about that second… it simply feels a bit of awkward and doesn’t look as cool or intentional as flipping by means of data.
For these units, I often are available with a pre-prepared circulation that permits me to remain totally engaged with the viewers. In fact, if the vibe isn’t what I anticipated, I’ll alter in actual time. However I do know my crowd fairly effectively—my predictions are not often off.”
Are you able to share a favourite DJing reminiscence—one that actually stayed with you or made an impression?
I’m unsure if it’s my absolute favourite, however one reminiscence that actually caught with me was once I DJed on the primary stage at Extremely Japan. The occasion was held on reclaimed land, and when all the crowd jumped directly, I might really really feel the bottom shift beneath me. It was like we have been floating on water.
That second jogged my memory simply how highly effective collective vitality may be. It was surreal… 1000’s of individuals shifting collectively, and the earth actually responding to it.
As somebody with a number of artistic passions, how do you steadiness being a DJ, entrepreneur, and cultural curator with out feeling like it’s a must to select only one path?
Everybody’s given the identical 24 hours, so I attempt to be actually intentional with how I take advantage of mine.
Most of my day is spent working or centered in solitude. I speak as little as attainable so I can keep in circulation and hold my vitality centered. Supper time is once I permit myself to unwind. That’s once I prefer to exit, share a meal, and join with somebody who helps me chill out and reset. dialog and possibly a glass of wine makes all of the distinction.
Balancing a number of passions doesn’t imply doing every part directly. It’s about realizing when to go inward and when to launch.
What impressed you to enterprise into the meals world?
A DJ tour to Mexico utterly modified my life. I went there to play music, however the second I had my first taco, one thing in my mind simply… clicked. I wasn’t the identical after that. It felt like I had discovered the love of my life.
It gave me a way of objective I hadn’t anticipated. I grew to become obsessive about the concept everybody ought to expertise what I had tasted. It wasn’t simply meals. It was tradition, ardour, soul… and I knew I needed to share it with the world.
How do meals and music affect one another in your artistic world? Do you see parallels between the 2?
As somebody who supplies each meals and music, I’ve observed one thing profound that they’ve in widespread: the transformation I see in individuals’s faces—earlier than and after.”
Earlier than I play music or serve them meals, there’s typically a sort of anticipation or neutrality. However afterward… one thing shifts. Their expression softens and enlightens, their vitality lifts. It’s like they’ve been nourished within the soul, whether or not by means of sound or taste. That second of transformation… that silent gratefulness of their eyes, is the place I see the deepest parallel between meals and music. Each have the facility to vary how somebody feels, virtually immediately.
Your work clearly fosters neighborhood. How do you see your position in shaping cultural ecosystems—by means of sound, area, and meals?
After I carry one thing from one other tradition into my work, I see myself as a translator… and I take that position severely. I at all times attempt to strategy it with deep respect and keep aware of how the originators would need their tradition to be represented.
I imagine the one approach to actually honor that’s by spending high quality time with them… attending to know them coronary heart to coronary heart. That connection shapes every part—how I current the music, the meals, the area.
I additionally prefer to hold issues as easy and approachable as attainable. The extra accessible it’s, the extra individuals can join with it and that’s how neighborhood grows.
For instance, I run Japan’s Tacos Affiliation. I purposely stored the definition of a taco easy; “if it’s in a tortilla, you possibly can name it a taco”. I needed individuals to be at liberty, not intimidated, when making an attempt it out for themselves.
Everybody wants a welcoming introduction. You by no means know, you is perhaps giving somebody the possibility to turn out to be the following hero of that tradition.
As a lady within the DJ area, how have you ever stayed true to your voice in an business that usually pushes individuals into packing containers?
Arising, I felt like I needed to shield myself and my model in order that I’d be judged solely on my abilities, not my gender. I needed the main focus to be on the craft, the music, and the reference to the gang.
Staying true to my voice has meant, main with authenticity, and trusting that my work would communicate louder than any stereotype. It’s not at all times straightforward, however I’ve discovered energy in creating my very own lane. Maybe it had given me the creativity I’ve now with no matter I do!?
What recommendation would you give to ladies who need to break into DJing however don’t see themselves represented?
Don’t victimize your self. Focus in your craft, keep curious, and put within the work. You don’t want to attend for permission or illustration to start. You’ll be able to turn out to be the instance another person is ready to see. Present up, take area, and belief that your voice issues.
What recommendation would you share with different multi-passionate or multi-hyphenate creatives on staying grounded whereas rising in several areas?
Keep rooted in why you began. Let your curiosity information you, not stress. Keep grounded by creating area to be alone and hearken to your self even when issues get loud round you.
I’m actually excited concerning the thought of basing myself within the U.S. and seeing how issues unfold musically right here. I need to immerse myself within the scene firsthand and expertise every part in a world-class surroundings.
There’s one thing about being within the room, feeling the vitality instantly, and connecting with individuals on the bottom that may’t get replaced. I’m wanting ahead to rising by means of that sort of presence… and seeing the place it takes me.
Picture credit score: Jonni Truelove