A Ok-pop act’s title monitor isn’t at all times the very best music on their album, even when it’s the one most individuals will hear. Generally, b-sides deserve recognition too. Within the singles-oriented world of Ok-pop, I need to highlight a few of these buried treasures and provides them the props they deserve.
Having listened to the brand new G-Dragon album a number of instances, it’s in all probability my least favourite challenge of his. I anticipated this to be the case, as long-awaited albums coming late in an artist’s profession have a spotty monitor report. Aside from the superb Residence Candy Residence, the album’s songs are strong however typically a bit aimless with regards to construction. The retro — nearly psychedelic — IBELONGIIU is the album’s most attention-grabbing second in its surprising nods to the music of Prince, however the music that comes subsequent will seemingly be the largest crowd pleaser.
Take Me retraces the funk pop roots of G-Dragon’s 2009 debut album, feeling nearly like a non secular successor to tracks like Breathe. His vocals sound most polished right here, largely free from the grit that has taken over his tone over the previous few years. This makes me marvel if the monitor had been recorded years in the past and solely launched now. There are some pretty melodies buoying this music, particularly as we cruise into the pre-chorus. Rhythm guitar provides a enjoyable disco contact, completely complimenting GD’s distinctive coloration. The music solely suffers from its relative flatness. Regardless of a blazing guitar solo from dance legend Nile Rodgers, Take Me misses the chance to construct towards a knockout finale. It’s a lightweight contact needing only a bit extra character, however it’s the Übermensch b-side I’m most excited to listen to when it comes up on the playlist.
| Hooks | 8 |
| Manufacturing | 9 |
| Longevity | 9 |
| Bias | 8 |
| RATING | 8.5 |
Grade: B
