“Oh boy!” Sabrina Carpenter chuckles on the prime of “Manchild,” the lead single of her new album Man’s Finest Good friend. It’s a delicate however direct preview of this venture’s focus: a camp-fueled takedown of incompetent males. It’s not a far-fetched or surprising matter, as Carpenter’s final album, Brief n’ Candy, noticed the pop star skewering the other intercourse for funsies. “Amen; hey, males!” Carpenter sings all through “Manchild,” humoring her goal as she deliberates on correctly puncture egos.
For anybody who performed Brief n’ Candy into the bottom, Man’s Finest Good friend shall be a welcome listening expertise. Sabrina Carpenter is witty, charming, and selectively susceptible, as typical — and she or he’s backed by her anticipated companions in crime: Amy Allen and Jack Antonoff, alongside One Route mastermind John Ryan. Along with her crew in place, Carpenter continues her aversion to 1 sound, skillfully gathering the gems of various eras and genres and shining them up for 2025.
The place Brief n’ Candy noticed Carpenter breaking free from the middling pop area, Man’s Finest Good friend is the singer’s alternative to immerse totally within the sound and magnificence she’s cultivated after discovering herself throughout six albums. On her seventh, at 26 years outdated, Carpenter is establishing herself because the pop supernova of the second. On the evening of the album’s launch, she dropped her second single, “Tears.” Not like the countrified lead single “Manchild,” “Tears” is fueled by lustful disco. The Bee Gees come to thoughts as Carpenter coos, “I get moist on the considered you,” fantasizing in regards to the object of her affection. She’s by no means shied away from expressing her frank sexuality, and this album is not any completely different.
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Carpenter’s wholesome libido precedes her. Throughout her look on NPR’s Tiny Desk final December, Carpenter acknowledged the chatter. “Some folks know me for, I assume, being explicitly attractive,” she stated to a room full of snickers. “It’s really not as simple as that.” The album cowl of Man’s Finest Good friend options Sabrina on her fingers and knees, a male determine standing above her with a fistful of hair, resembling a canine proprietor holding a leash. Regardless of Carpenter’s very intentional presentation as a girlie pop who champions autonomy and feminine empowerment, the backlash was swift. Thank God she doesn’t give a fuck.
Alongside her core unit of songwriters and producers, Carpenter has found out a approach to make even essentially the most inappropriate subjects sound like sing-a-longs. “Home Tour” takes on a number of influences, from the New Jack Swing popularized by Janet Jackson to the funk-driven R&B of the Mary Jane Ladies. The music is inexplicit, however the content material of the lyrics screams NSFW: “Would you like the home tour?/ I might take you to the primary, second, third flooring/ And I promise none of it is a metaphor/ I simply need you to come back inside.”
Man’s Finest Good friend features as a spread present on wax. The bouncy, inquisitive “My Man on Willpower” paints a vivid image of Carpenter comically trying to get her beau’s consideration: “He’s busy, he’s working, he doesn’t have time for me/ My slutty pajamas not tempting him within the least/ What within the fucked-up romantic, darkish comedy is that this nightmare these days?” On the other finish of the spectrum, Carpenter’s “By no means Getting Laid,” which sounds soulful sufficient for Bobby Caldwell, takes a dagger to the guts of an inconsistent associate who she needs a lifetime of involuntary celibacy. Each of those vignettes are illustrative, evocative renderings that sound like watching a kooky Carol Burnett routine unfold in actual time.
