TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t distinctive to TXT and I don’t imply to name them out particularly, nevertheless it’s consultant of selections the Okay-pop trade is at the moment making. A lot effort appears to enter all the pieces surrounding the music, even because the precise songs develop shorter and fewer developed. On this case, that effort contains music movies for every of the members’ solo tracks. Consistent with the truncated nature of the album, I’ll be writing mini evaluations for every music because the movies are launched.
Aside from Yeonjun and Beomgyu, we haven’t heard how every members’ solo work would possibly sound on a promoted monitor. With Sunday Driver, Soobin has opted for simple listening. Due to this, I’m nonetheless not fairly positive how he sees himself as a soloist (or if he sees himself as a soloist in any respect). The music wafts by on nice vibes, from the light strum of guitar to the mushy sprinkle of atmospheric synth. Soobin’s ethereal tone compliments this sound, although all the pieces right here is so light-weight that it virtually evaporates because it goes. It’s a mild toe-tapper however doesn’t do a lot to seize me past that.
| Hooks | 8 |
| Manufacturing | 7 |
| Longevity | 7 |
| Bias | 7 |
| RATING | 7.25 |
Grade: C
