This has little to do with Fifty Fifty’s precise comeback, however the phrase “pookie” annoys me to no finish. Over time, it’s gone from cute little novelty nickname to a time period used to point out a dismissive perspective towards another person. That connotation is absent in Fifty Fifty’s personal Pookie, however the phrase remains to be awkward to listen to repeated in a pop track.
In some methods, the unique iteration of Fifty Fifty helped popularize the limitless wave of “beigepop” that’s at the moment terrorizing the Okay-pop trade. Their Cupid stays a excessive water mark of the sound, even when company drama and member shifts have dulled its legacy through the years. Now that we have now 5 million different iterations of the sound clogging the market, it’s harder for a track like Pookie to face out. Its quick run time and repetitive hook make it really feel extra like a ringtone than a fully-developed monitor and this earworm high quality is probably going intentional.
If nothing else, Pookie is actually catchy. From its sing-song hook to the wordless chorus that follows, the track is crafted for max stickiness. The instrumental gives a bit extra bop than most songs of this nature, however general the manufacturing and efficiency is unambitious and acquainted. Due to this, Pookie by no means goes past “cute.” It’s like consuming a chunk of sweet — candy and sugary within the second however rapidly forgotten as you progress about your day.
| Hooks | 8 |
| Manufacturing | 8 |
| Longevity | 7 |
| Bias | 8 |
| RATING | 7.75 |
Grade: C+
