A Okay-pop act’s title monitor isn’t at all times one of the best tune on their album, even when it’s the one most individuals will hear. Typically, b-sides deserve recognition too. Within the singles-oriented world of Okay-pop, I need to highlight a few of these buried treasures and provides them the props they deserve.

There have been quite a few b-sides this week that have been stronger than their accompanying title tracks, and Onew’s Maestro (마에스트로) positively suits the invoice. The tune sees him tackling a laidback funk beat earlier than bursting right into a layered refrain that borrows equally from R&B and indie rock.

Maestro is all about this refrain. Onew’s vocals sound heavenly, crafting a stately centerpiece that captured my consideration instantly. Components of the melody/lyrics sound distractingly like “I scream, you scream, all of us scream for ice cream” however the general tone is ethereal sufficient to counteract any nursery rhyme silliness. Touches of digital vocals remind me of the outdated Communicate & Spell toy because the hook segues into its verses, giving the tune retro enchantment. I don’t know if Maestro is bombastic sufficient to be a title monitor, but it surely’s an intriguing and well-executed path for Onew’s music.

Grade: B